Trump’s Uncanny Inheritance

Whenever I listen to a minute or two of one of his rallies (which is as long as I can tolerate), I admire Donald Trump’s speaking ability. This is not the speechifying of many public figures. It is not like the famous speeches we may remember. It is different from JFK’s pronouncing that the U.S. was going to the moon; different from MLK’s I Have a Dream speech; or Ronald Reagan’s, “Mr. Gorbachev, tear down this wall.” The oratory of those other figures was carefully scripted, and we knew that this was a performance for a massed audience. On occasion, Trump tries something similar, but we can always tell that he is reading words written by someone else.

Instead what I admire in Trump’s rallies is his “conversational” style. He does not seem to be talking to the massed audience all at once, but to an individual. (I say “conversational” because, of course, we don’t really think he would ever have a real conversation with anyone at his rallies or perhaps anywhere.) He has the ability to make it seem as if he is talking only to you, not just to a faceless crowd.

This makes me think about something I read decades ago about the development of popular music. Before microphones, singers sometimes used a megaphone to reach their audiences, but mostly they just projected their voice so that it could be widely heard. They were singing for a massed audience without any individuals being singled out. Think opera today. I may feel thrilled to hear the soprano, but I don’t feel that she is singing just to me. I am just one of many who is hearing her at the same time.

When amplification started, the popular culture historian I read said that at first singing styles did not change. The music was still for a massed audience. Then, according to that writer, Bing Crosby changed everything. He used the microphone in a new way that felt not that he was singing to a group, but was singing to every individual in that group. Close your eyes and listen to Crosby singing about that white Christmas. He is singing to you. It is a personal experience, not a mass one.

Trump’s strength in his rallies is that he does not talk to a crowd. He makes it seem as if he is talking to everyone personally, and that has turned out to be a powerful ability to attract and keep followers.

Trump has benefited from speaking to large public assemblages in this way. He reads the room seeking laughter and outrage from his listeners, and this serves to acknowledge them. It gives them an identity when they feel overlooked and some sort of hope that he can make their lives better.

In these rallies he is an heir to a much older America where people got education and entertainment by hearing speakers and lecturers. America’s golden age of oratory was from roughly 1870 to 1925, a time before the mass media of radio and television had permeated the nation. What there was instead was an extensive railroad network. Able to appear in towns of all sizes, speakers utilized this network to entertain and inform. People like Frederick Douglass, Emma Goldman, William Jennings Bryan, and Clarence Darrow may have had other careers, but they all were on the lecture circuit. For example, Frederick Douglass edited a newspaper and wrote much, but he was perhaps most widely known for his oratory, which not only spread his views but earned him sizeable sums.

These speaking tours must have been exhausting because the speakers were almost constantly on the move. Emma Goldman, for example, made 321 speeches in a year. In breaks from the Scopes trial in 1925 in Dayton, Tennessee, Darrow road the rails to Chattanooga and elsewhere to speak, and Bryan also appeared at auditoriums whenever the trial was in recess. Wherever such speakers appeared, they gave audiences their money’s worth, speaking for more than an hour, eliciting laughter and outrage as they tried to get the audiences to adopt their views. Trump may not know who these people were (When president Trump said, “Frederick Douglass is an example of somebody who’s done an amazing job and is being recognized more and more, I notice.”), and he certainly does not espouse the racial views of Douglass or the pro-labor, anti-capitalist views of Goldman, the true populism or religious faith of Bryan, nor the populism or agnosticism of Darrow. Even so, at his rallies he in essence shares a legacy with these and similar people. I can’t imagine he knows who they are, but if he did, he would not see them as kindred spirits; He would only despise them.

Thoughts on Labor Day

“Labor Day symbolizes our determination to achieve an economic freedom for the average man which will give his political freedom reality.” Franklin D. Roosevelt.

Erik Loomis writes in A History of America in Ten Strikes (2018): “Labor Day was created as a conservative holiday so that American workers would not celebrate the radical international workers’ holiday May Day.”

“The employer generally gets the employees he deserves.” Sir Walter Gilbey.

“Under a capitalist society such as that of the United States, employers profit by working their employees as hard as they can for as many hours as possible and for as little pay as they can get away with.” Erik Loomis.

A wise person said, “The world’s work must be done by some of us. We can’t all be politicians, pundits, and financiers.”

“I like work; it fascinates me. I can sit and look at it for hours.” Jerome K. Jerome.

“We have too many people who live without working, and we have altogether too many who work without living.”

“We don’t teach class conflict in our public schools. Textbooks have little material about workers.” Erik Loomis.

Apparently, Henry Ford never worked on one of his assembly lines doing a repetitive task hour after hour, day after day, year after year, for Ford said, “Nothing is particularly hard if you divide it into small jobs.”

“To sneer at another man’s work is the special privilege of little minds.”

“If a laborer were to dream for twelve hours every night that he was a king, I believe he would be almost as happy as a king who should dream twelve hours every night that he was a laborer.” Blaise Pascal.

In 1919, the average work week in dangerous conditions for steelworkers was 68.7 hours.

“To do great work a man must be very idle as well as very industrious.” Samuel Butler.

“It’s always been and always will be the same in the world: the horse does the work and the coachman is tipped.” Anonymous.

“We work not only to produce but to give value to time.” Eugène Delacroix

The 1963 March on Washington, famous for Martin Luther King, Jr.’s “I Have a Dream” speech, was the March on Washington for Jobs and Freedom. Among other things, it advocated for a $2-an-hour minimum wage (about $20 in today’s money) and expansion of the Fair Labor Standards Act to agricultural workers. When King was assassinated, he was in Memphis to support a union strike.

Adam Cohen reports in Supreme Inequality: The Supreme Court’s Fifty-Year Battle for a More Unjust America (2020) that in a recent election cycle, political action committees supporting business interests outspent PACs aligned with labor 16 to 1.

“With all their faults, trade-unions have done more for humanity than any other organization of men that have ever existed. They have done more for decency, for honesty, for education, for the betterment of the race, for the developing of character in man, than any other association of men.” Clarence S. Darrow.

A Scopes Trial in Florida

I recently read Summer for the Gods: The Scopes Trial and America’s Continuing Debate Over Science and Religion by Edward J. Larson,which won a Pulitzer Prize in 1998. Most of us know about the 1925 prosecution of John Scopes from the cartoonish but compelling 1960 movie Inherit the Wind. Of course, real life was more complicated than the drama, but the basic premise was correct: John Scopes was prosecuted for violating a Tennessee state law that prohibited the teaching of evolution in public schools. The trial depicted huge personalities important in American history. The movie had Spencer Tracy in the thinly-veiled Clarence Darrow role and the oft-underappreciated Frederic March as the William Jennings Bryan surrogate. (Tracy was born in Milwaukee, Wisconsin, and March forty miles away in Racine, three years apart. I have wondered if on the Inherit set they swapped reminiscences of boyhood romps on Lake Michigan beaches.) And in a daring bit of casting, Gene Kelly had the role of the acerbic journalist H.L. Mencken, who wrote commentary about the trial.

The movie seemingly portrays the triumph of rationality over the cramped world of closed-minded fundamental religion — the triumph of modernity over myth. However, the movie, based on the 1956 play, was aimed at McCarthyism more than fundamentalism just as The Crucible by Arthur Miller is not really about the Salem witch trials. (The opening cast of Broadway’s Inherit the Wind starred Ed Begley, Paul Muni, and a young Tony Randall as Mencken. It ran for over two years, and, of course, has been a staple of high schools and summer stock ever since.) Perhaps it was telling that one of the screenwriters for the Inherit film used a fictitious name for the credits because he had been blacklisted.  

Although William Jennings Bryan is portrayed in Inherit primarily as a religious buffoon, Summer for the Gods shows that he tried, given the populist he was, to cast the issue as one of democracy. He, and others, maintained that the people — speaking through their legislatures — had the right to control what was taught in the schools which they had created and funded.

The issues presented by the Scopes trial remain timely, most notably in Florida. Now, however, the issues are about more than science and religion. Religion may hover just below the surface, but Florida is raising again two of the most interwoven strands that have recurred throughout American history, sex and race.

The state, however, maintains that what is doing is not about religion, sex, or race; It is about protecting children. It is about who determines when children should be exposed to certain topics. It is about who determines the content of classes.

Indeed, a basic question about our public school is who controls the education? School boards, parents, state government, teachers, other educators, experts? There is no easy answer.

Few doubt that government sets at least broad requirements. And usually, educators determine how those requirements are to be satisfied. Perhaps a school board or the state legislature determines that a high school student must pass algebra to graduate. We would be surprised if that state agency developed a syllabus for the required course. Instead, the educators determine how the course is to be taught.

However, when issues of religion, sex, or race are present in a course, sometimes, as with Florida now and Tennessee in 1925, the government wants to control the course’s content. The state may say that the majority of people want them to control such content. However, since this happens primarily with issues of religion, sex, or race, and not with other topics, this is not really about majority or even parental control; if it were, the state would control content on all topics. No. It is only about religion, sex, or race.

Florida, however, is not merely mimicking 1925 Tennessee. It is going beyond the Volunteer State. Tennessee did not extend its meddling beyond the public high schools. It apparently assumed that its college students were rational enough, mature enough, and educated enough to be able to think for themselves. They did not require protection from whatever the state legislature thought pernicious. Ron DeSantis’s Florida, however, has taken this a step further. The Sunshine State’s governor does not believe that its college students are smart, educated, or mature enough to be able to come to their own decisions on these matters. DeSantis is seeking to control the content of university education as well as that in the lower schools.

Indeed, Florida has not stopped there. It seeks to mandate what can occur in corporate programs. This, of course, turns “conservatism” on its head. Promotion of free enterprise and minimal government regulation is a core tenet of conservatism. We should not be all that surprised that concerns about sex, race, and religion intrude into public education, for that has happened many times in our history. But it is a brave new world when the state decides to control corporate training in these matters.

Of course, we should be concerned about what is taught in our schools. However, as we consider who should determine curricular content, it is worth reflecting on what Curtis Wilkie reports in When Evil Lived in Laurel: The “White Knights” and the Murder of Vernon Dahmer. “In the middle of the twentieth century,” writes Wilkie, “any Mississippi schoolchild who achieved an eighth-grade education had been exposed to a state history textbook [Mississippi through Four Centuries] that told of the glories of the Klan.” In discussing Reconstruction, the textbook acknowledged that the Ku Klux Klan whipped and even killed Blacks “who had been giving trouble in a community. . . . The organization helped the South at a difficult time.”

However, now, a hundred years after the Scopes trial, I can imagine a prosecution of a Florida teacher who teaches the fact that on a per capita basis Florida had the most lynchings in this country.