And Now for Something Completely Small (From the Spouse)

For as long as I can remember, I’ve loved miniature things. Well, we all love puppies and kittens and even human babies. But I loved miniature things, like dollhouses and the things that were inside them. Now. When I was a child in the 1950’s, a dollhouse from Sears and Roebuck was a somewhat boring affair: a metal box with a slanting roof, open on one side to reveal four cubes representing four nondescript rooms (where was the bathroom?). Still. It was small, and if you could find them in Woolworth’s and your mom would let you splurge a little, tiny pieces of plastic furniture could be housed inside. I thought that was pretty satisfying until I was 9 or so.

It was around that time that I became aware of the Colleen Moore Dollhouse at the Chicago Museum of Science and Industry. No mere house, this. It was a mansion of a million rooms (or so it seemed), each completely furnished down to the teeny rose in a teeny vase on a delicately carved mahogany table next to a velvet-covered settee carefully placed on a tiny Persian carpet. And it had electric lighting! Electrified chandeliers, electrified wall sconces. It was a revelation.

As I gawked at this magnificence, though, the pitiful contrast to my Sears and Roebuck box became far too apparent. Knowing that something so utterly amazing existed whose elegance and detail could never be duplicated (at least, not by me) quashed my interest in dollhouses for many years thereafter.

It was a bit later in life that I marveled at the historically accurate rendering of tiny rooms at the Chicago Art Institute. Conceived by Mrs. James Ward Thorne in the mid-twentieth century, the rooms were (“painstakingly” goes without saying) constructed on a scale of one inch to one foot, and there are 68 of them! It was overwhelming to the likes of me, and similarly discouraging. This was a life’s work – and an expensive one. It would take a highly dedicated Mrs. Thorne’s full-time efforts and considerable fortune to even think of duplicating a single room. Sigh.

I most certainly should have given up this interest in miniatures. But no. At Gainesville (Florida) High School I chaired the decorations committee for the senior prom. They could not have picked a more inept leader. Being a complete dufus, I envisioned an entrance to the dance floor (the gym) that would replicate – in miniature — the Gainesville main street at the turn of the century. Low-rise buildings, gas lights, cobble-stone streets. It was a complete and utter disaster! Neither I nor anyone on my committee had a clue on how even to begin. I have mostly repressed the whole affair, but I think somebody’s mother bailed me out by providing crepe paper streamers and Kleenex roses – like any sensible prom decorating committee should have done.

But I never really gave up being enamored of small things. Even my scientific career focused on things microscopic. Nothing gave more satisfaction than to examine through a microscope cells stained to show the delicate intricacies of their inner workings.

And in the meantime, I started to collect miniature tea sets. Cheap enough and still satisfyingly small. I learned that there are small tea sets (suitable for tea time with a teddy bear), smaller tea sets (not suitable for anything, really), and teensy, tiny tea sets (designed to please people like me who have a miniature fetish and a limited budget). The smallest I own came from a gift shop at The Greenbrier. The tray upon which the tea pot, sugar, creamer and two cups in saucers sits is no more than three centimeters in diameter. I love it. All of my tiniest treasures are now displayed in a shadow box that is ill-lit. No one really notices it, but I do, and when I do, it surprises and pleases.

Not knowing much about the military nor coming from a military family, I was never as intrigued by toy soldiers, but a friend, James Hillestad, has a most extraordinary collection of toy soldiers at the Toy Soldier Museum in Cresco, PA. Here are 3,000 square feet of full-scale models with 70 authentic military uniforms. You can see the battle at Vicksburg, parade scenes of Scottish bagpipers, the military review that attended Queen Victoria on a visit to India, etc. etc. In short, hundreds of toy soldiers are on breath-taking display. Definitely worth a trip to the Poconos or go to www.the-toy-soldier.com.

Well, okay, so when I retired, I decided to give my full-time effort to building a doll house. I bought a reasonably sized, reasonably priced kit to produce a Victorian house with four rooms (one is a bathroom!) and a front porch. I put wallpaper on its walls and carpets on its floors. The bathroom has “tiles.” The outside is painted dark green with white trim. It’s furnished of course, complete with a teeny, tiny copy of Scientific American on the living room coffee table. There’s a chandelier in the dining room, but it’s not electrified, and it keeps falling down. There’s a tray of wine and fruit available to guests. I decorate the outside for Christmas with battery-powered fairy lights. I love it. And…I have gotten that Moore/Thorne impulse out of my system.

I think of this topic because I recently saw what must be one of the most amazing miniaturization projects ever! The Ringling Circus Museum in Sarasota, Florida, houses a 3,800 square foot model of a circus conceived and built by one Howard C. Tibbals. It comprises (in small part) The Big Top (with 7,000 folding chairs and five rings), the Midway complete with side shows, a multitude of train cars that carry the 500 hand-carved elephants, tigers, and horses. Horses! Hundreds of horses both for work and for performing. There are clowns putting on make-up, the cooking tent and mess tent with maybe 500 people inside, each with his own tiny plate of food, a patrons’ parking lot with old-timey model cars, a wardrobe tent with tiny sequined circus costumes pouring out of tiny circus trunks. They say there are more than 42,000 individual pieces, not including railroad ties and tent poles. A separate exhibit shows the parade pageantry of the Big Top with hundreds of elephants, acrobats, and costumed beauties. Go to the Internet and put in Howard Bros. Circus. You’ll see; it is miraculous.

So, you see, there are more people than you might think who are driven to a lifetime of miniaturization. Bless ‘em! 

Toy Retreat

(Guest Post from the the NBP–the Non-Binary Progeny)

I didn’t realize it as a child, but now I see that I was pretty angry about a lot of things in my young life. I didn’t look like my parents (other kids looked like their parents!), and besides that, I was trapped in a body that I really didn’t like—a body I came to hate, but more on that later. When confusion and anger overwhelmed me, I would go into a zombie-like meditative state and lose myself in my toys.

Several toys consumed me. Whether it was G.I. Joes or Transformers, I became transfixed. I also had an assortment of Lincoln Logs, Matchbox cars, plastic dinosaurs, and other animals for whom I created worlds for us to get lost in. Sometimes those worlds only consisted of marching the dinosaurs around and having them meet the cars and the tigers, but it was enough for me to forget about myself for a time. I loved my “boy” toys.

I hated dolls. I once had a doll my mom named Chamomile (I wouldn’t even deign to name her), given to me by a family friend. Chamomile was a Japanese doll with a porcelain face, straight jet-black hair, and a red kimono. Didn’t this couple—Japanese scholars both—know that Koreans and Japanese aren’t the same thing? Well, I didn’t at the time, so I thought I was supposed to look like this doll; I couldn’t have been more insulted! Okay, well, they couldn’t have known that this Asian (I barely knew I was Korean, only some brand of Asian) toddler despised dolls of any ethnic background. No dolls. Period. This doll was not allowed in my room. I wanted to put her six feet under because I wholly rejected any resemblance to her and flat out thought she was creepy with her piercing eyes and her perfectly puckered lips. [Shivers!] My mother consigned her to a closet, where I wouldn’t be able to see her, nor she me. Obviously, dolls were forever banned from my toy repertoire.

One Christmas—I was about five—my grandpa made me a dollhouse. Built it himself—an old man building a dollhouse. Awww, sweet. I destroyed it. Like a little ungrateful brute, I kicked it in because it screamed to me, “YOU ARE A GIRL.” I feel guilty about demolishing it, and I know my parents were upset that I had done so since it was such a nice thing my grandpa did (and, apparently, he wasn’t always the cuddliest fellow in the world), but I couldn’t stand it. In hindsight, I could’ve at least tried to use the dollhouse as a G.I. Joe headquarters.

The only other “girly” toys I remember owning were My Little Ponies. They were stupid and pink and purple and “girl” colored but ultimately accepted into the mix because they were useful as beasts of burden. All my action figures were allowed to use them as mules and horses for carry and cargo. Mwahaha.

I was a huge fan of Legos and spent hours building Lego cities, both modern and medieval. These were extravagant constructions with multiple dwellings, roads, vehicles, people. Sometimes these architectural masterpieces remained assembled for quite some time…months at least. After a while I would notice that the yellow, blue, and red blocks started looking more and more like the gray ones. Excitedly, I would go majorly OCD. Paintbrushes of all sizes would be assembled and used to dust every nook and cranny. Fan brushes were especially effective, in case you were wondering! Dusting became another therapeutic zombie activity. It required few brainwaves and at the end, when I snapped out of my dusty reverie, I would feel a sense of accomplishment. All my knights, castles, pilots, drivers, and civilians now lived in an allergen-free world! It took hours—blissful, non-thinking hours.

Talking about paintbrushes, art was another outlet for me. Not only was it easy to get lost in, but it was an activity relatively free of gender overtones. My zombie self was an abstract artist veering towards Modernism with lines, colors, patterns, and shapes plunked all over a page; we (my Zombie and I) used crayons, markers, watercolors, pastels, colored pencils, acrylics. These artistic adventures could last for hours in which I would achieve my “zombie-zone”—anger synapses asleep. Pages upon pages would pile up on my art table. Once I had a formidable stack, I would gather together as many pages as the stapler allowed, and add a cover with a clever title (e.g., “Lines and Shapes”) and my name. It amazed and impressed my parents when the zombie state came on because I’d be intent for such long periods of time that they thought it indicated a profound ability to focus on a task. They didn’t know—and neither did I—that it was really a way to unfocus and go to another, less complicated place.

Later on these drawings became distinctly warlike. Knights, axes, swords, battleships, and airplanes shooting fire, bullets, missiles, bombs, ahem all manner of projectiles, figured prominently. The knights or the soldiers were always either armed or had rippling arms themselves. These drawings required total concentration, and the time spent drawing them—images of death-inducing weapons though they might be—had a calming effect on me. Whatever the zombie and I did, it was done subconsciously to calm an inner rage, and it sort of worked.

Warrior wannabe (or disturbed child, ha. Ha. Ha?) though I may have been, I loved stuffed animals. They were cute and soft and uncomplicated (boys had them, too!). Stuffed animals were also good friends because if you felt the need to hit things or throw things against a wall, they could take it. They didn’t get upset or scream or cry. They just pleasantly smiled (hopefully without crying on the inside).

I always had one favorite, and he was never in harm’s way. The first favorite was a super soft leopard with wonderful spots named Larry. Larry had plastic whiskers great for chewing on. Then came Steven who was a tan mini-Gund bear. He loved to have his tummy rubbed and rubbed and rubbed.

Needless to say, all my animals were male, except for one pink Gund bear named Susan. Me, the blossoming little sexist, made her the bitch. Talking about sexism: Loving stuffed animals—being suckered in by cute things—seemed like a disturbingly girly thing to do. Dusting Legos also made me feel girly because neatness and cleanliness were attributes associated with girls. I tried not to think about this too much, because even if they were girly, they were necessities.

Then came William, William T. Bear (his middle name was “The” not “Teddy”). When I received William, a chocolate brown grizzly bear and held him for the first time, he felt so new and soft and was the ultimate in cuteness and comfort—100 percent ergonomic…for hugging. Oh, he even smelled good. I knew we’d have a special bond. He was a present from my father, which made him already special—even magical. I gave him a voice, and in turn, he gave me one. I manipulated and animated him like a puppet (but he’s not a puppet, damn it, he’s real!). I brought him to life by moving him: body, limbs, even ears. I gave him emotions and ascribed body movements to each feeling. I was never without William at home, and I dreaded leaving him behind when I went to school. He was a shield and a security blanket, and a rather excellent companion. William was also a useful communication conduit to my parents. My parents, not bears of small brain themselves, caught on quickly. They would ask me if William were tired, or if William were sad, and William, less guarded than I, would answer truthfully and unassumingly. I, who rarely spoke more than a word or two even at home, became quite vocal and lively when William was around. He was a bubbly bear and made even me laugh. William was who I wanted to be. He was funny and simple and innocent and silly and male. He was not evil, though naturally being a bear, he grrrred a lot. He made my anger disappear. He was the light side to my dark. (Shhh. Don’t tell, but he’s watching Top Chef next to me as I write this.)