The Shot Heard ‘Round the World

It is baseball playoffs time. I just yawned as I am sure many others do about baseball and its postseason. This indifference, however, is a bit misleading. Many may talk and write about baseball’s demise, but attendance at major league games increased this year. More people went to the parks than in the years immediately preceding Covid. Even so, baseball and its playoffs do not gain the national attention they once did. We don’t anoint them with the significance of past years, nothing like the playoff that ended with the most famous home run in history — the home run that many at the time and even since saw as some sort of American turning point that went beyond baseball.

          I wasn’t aware of it when it happened. It was on television, I have read, but my family did not then own one. It was on the radio, but I did not care. I was aware of little beyond our backyard and our block, even though I ventured further than that to attend one of our two years of kindergarten. I was six years old.

          But my world changed a lot during the next three years, and when I was nine, I learned about it. By then the Braves baseball team had moved from Boston to Milwaukee. I had become a baseball fan, and the New York Giants had traded Bobby Thomson to my Braves prior to the start of the 1954 baseball season. Almost every mention of Thomson referred to that famous home run (only Babe Ruth’s “called” shot could compare) which Thomson hit on October 3, 1951. With the season nearing its end, the Giants were far behind the Brooklyn Dodgers—13 and a half games. The Giants, however, went on a tear winning 37 of their last 44 scheduled games. The regular season ended in a tie, which produced the National League’s first playoff, a two-out-of-three affair. The Giants won the first game; the Dodgers the second. In the decisive contest, the Dodgers were winning 4 to 1 going into the bottom of the ninth. The Giants scored one run and got two more runners on base. Thomson then hit a three-run homer that won the game and the National League Championship for the Giants. (The Giants went on to lose the World Series to the New York Yankees.)

          There have been other exciting, season-concluding home runs. Joe Carter of the Toronto Blue Jays hit one to end the 1993 World Series, and even more dramatic was the end to the 1960 World Series. The New York Yankees had won three games over the Pittsburgh Pirates in blowouts, outscoring their opponents 38 to 3. Pittsburgh had won three close games. In the seventh and deciding game, the Yankees were leading when Pittsburgh scored five times in the bottom of the eighth after a ground ball took a bad hop hitting Yankee shortstop Tony Kubek in the throat and wiping out what appeared to be a double play. Down two runs, the Yankees scored twice in the top of the ninth with the aid of some unorthodox base running by Mickey Mantle. Pittsburgh’s second baseman Bill Mazeroski, who averaged a mere eight home runs per season and who had already hit a decisive home run in Game 1 of the series, led off the bottom of the ninth. On the second pitch, he hit a miraculous home run over the left field wall to win the game and the baseball championship for the Pittsburgh Pirates.

          And since 1961, Super Bowls, NBA, college football playoffs, and college basketball championships have concluded on exciting, improbable plays. Even so, that 1951 game with Bobby Thomson’s home run seems to live on in the American consciousness in ways Mazeroski’s homer and the other exciting games have not. Or maybe I just think that because several things I have read recently and a conversation with a Neapolitan have placed that game high in my consciousness.

          One of the books was the 1997 memoir of her childhood by the historian Doris Kearns Goodwin, Wait Till Next Year. She was raised in a middle class New York City suburb that emerged after World War II in a family of rabid Brooklyn Dodger fans. The 1951 playoff between the Giants and Dodgers was a momentous event in her eight-year-old life. In those days, playoff and World Series games were played during the day, and her teachers had allowed their charges to listen to the first two games on the radio, but Doris asked to stay home on the afternoon of the decisive game to watch it on that new instrument, a television. Her mother readily consented. She was not alone. Half her classmates also were not in school that afternoon. But the spectatorship was many more than diehard New York and Brooklyn fans, for a continental cable had been finished a few months earlier, and these playoffs were the first nationally televised sporting event.

          Kearns, as she then was, describes the tension of a close game, with the Dodgers scoring three times in the top of the eighth to take a 4-1 lead. And then the fateful bottom of the ninth. The Giants had scored to pull within two runs and had two men on base. The Dodgers’ pitcher Don Newcombe was tiring, and the manager replaced him with Ralph Branca. “I was horrified,” Doris writes. “Images of Branca’s other failures filled my mind.” She pleaded for this move to be rescinded. “But my pleas were fruitless. The stage was set, the moment irrevocable. Ralph Branca stood on the mound, and Bobby Thompson was advancing to the plate.”

          And the home run came, and along with it, she reports, “the never-to-be forgotten voice of Giant announcer Russ Hodges. ‘There’s a long fly. . . . It’s gonna be . . . I believe.’ He stopped for a moment. Then, as the ball dropped majestically into the lower decks of seats, there came that horrifying shout. ‘The Giants win the pennant! The Giants win the pennant! The Giants win the pennant!’”

          Broadcasts were not routinely recorded in 1951, but many of us have heard Hodges’ depiction of the famous Bobby Thomson home run 1951. Doris Kearns Goodwin makes it seem as if she heard it on the television, but the reports I have read said that his call was preserved on a tape recording by a Brooklynite made off the radio. Perhaps Hodges was simultaneously broadcasting on radio and TV, but that seems unlikely, and if the Goodwin family was listening to the radio while watching the television broadcast, I would have thought the Goodwins would have been listening to the Dodgers announcer, Red Barber. (Barber, it is reported, pronounced Hodges overexcited call as “unprofessional.”)

          Perhaps Doris really did hear Hodges make the call. Perhaps, like me, she heard it later. It is memorable, and perhaps she conflated it into the actual memory. What’s clear is that for her this game produced what has been sometimes called a “flashbulb memory” in which a memory of a momentous event becomes, we believe, indelibly etched into our mind. We probably all have some of these. Research, however, has shown we are often mistaken in details of these memories. (When I looked at some of this research for an academic project, they were called flashbulb memories. With the decline of flashbulbs, I wonder if researchers now use a different term.)

          Kearns Goodwin makes clear the importance of the event. “It was the worst moment in my life as a fan. . . . From that moment to this, Bobby Thomson and the Brooklyn Dodgers would be forever linked, the mere mention of his name calling forth in every Dodger fan instant recognition, comradeship, a memory of where they were, how they felt.”

          Doris had been posting the baseball scores in the window of a local butcher shop whose owners were Giants fans. She was so miserable that she avoided the shop until she received a bouquet of roses from the owner (“It was the first time anyone had sent me flowers.”), imploring her to come back because she was missed. “My excitement about the flowers drained my humiliation and pain over the Dodgers’ collapse.” She went to the store and posted the last Dodgers’ score of the season.

          The memorability of the game and the pomposity of its importance to some sports fans is seen in a continuing reaction. Goodwin writes that she now lives in Concord, Massachusetts, that is celebrated as the site of the first battle of our Revolutionary War, which was commemorated in a famous line from a no-longer famous poem written in the first half the nineteenth century. When she takes visitors to Concord’s Old North Bridge and sees the inscription on the monument there, ‘the shot heard round the world,’ “I think privately of Bobby Thomson’s home run.” This characterization, however, is not confined to her private thoughts. Thomson’s homer was characterized with the Revolutionary War line almost from the moment that ball landed in the stands. I recently tested my assumption that that playoff result lives in the minds of many Americans who had no personal connection with the game. I asked a biergarten drinking buddy, who was born twenty years after it happened, if he was familiar with Bobby Thomson’s home run. He immediately said, “The shot heard ‘round the world.’”

          I have also been dipping into American Pastimes: The Very Best of Red Smith edited by Daniel Okrent. Smith, a Pulitzer-Prize-winning sportswriter, is best known for the four-times-a-week columns he wrote for New York City newspapers in the four decades after World War II. Of course, he wrote about the famous home run with a lede, published on the day after the game, that has been characterized as one of the best: “Now it is done. Now the story ends. And there is no way to tell it. The art of fiction is dead. Reality has strangled invention. Only the utterly impossible, the inexpressibly fantastic, can ever be plausible again.” Okrent labels that opening and the rest of the piece “the platonic ideal of a column about a major sports event.” I found Smith’s recounting to be enjoyable, and his often-remarkable prose is always worth examining. However, what first struck me in the October 4, 1951, column is that the writer immediately sensed that Thomson’s home run was not just one among many exhilarating sports events that he had seen. It stood alone. Not just to the rabid fan of one team or the other, it was, as they say, a game-changer even to the seasoned sportswriter, who could no longer believe that he had seen it all.

          But I noticed something else in Red Smith’s column. He mentioned that there were “34,320 witnesses” to the game. The later depictions of that afternoon make it seem as if the whole country or at least all interested in sports or at least all of New York City or at least all of its baseball fans were living and dying with each pitch. On the other hand, the Polo Grounds, where the game was played, had a capacity of 55,000. More than 20,000 seats were empty. Perhaps the game was not as important when it was played as its extraordinary outcome later made it become.

(concluded October 16)

Lessons from Henry Aaron

          With the death of Henry Aaron, many of my memories of him are, naturally enough, about baseball and boyhood. However, his death also makes me think about broader issues in American society, including race and corporate power.

A black and white photograph hangs above my desk. It defines an era of my childhood. Two men in old baseball uniforms–stirrups, baggy pants, no names on the jersey–are walking with their backs to the camera in a narrow, concrete passageway with harsh ceiling lights. “41” is on the left and “44” on the right. The caption to this picture, which I reproduced from a book, said it was Eddie Matthews’s and Henry Aaron’s last trip off the field as Milwaukee Braves. The team would soon move to Atlanta. The Milwaukee Braves would no longer exist.

The Milwaukee Braves were my childhood team. Our radio, and those of our neighbors, was tuned to their games. I could walk down the street on a warm evening with everyone’s windows open and not miss a pitch. I knew not just the lineup but idiosyncrasies of the players. (I did not know as much as some did. At one of our family’s yearly outings to a game, two young women sat in front of us. One said to the other, “Root for Frank Torre.” Torre was the backup first baseman who sometimes came in as a defensive replacement, but he was hardly one with a large fan following. The woman went on, “He’s the only one who is single.”)

 I learned early that the mythic figures on the ball field were actually human. At my first major league game—Cardinals versus Braves—the youth group of which I was a part was in the right field bleachers where there was a low fence that we could stand next to. There he was—Stan Musial. I had heard his name on the radio a gazillion times. I knew that he was a baseball god, and I guess I expected a god-like figure or at least someone as heroic-looking as the good guy in a cowboy movie. But as I stood a few yards away from him, my boyish eyes saw an old man in need of a shave. (It was a low-scoring game, and I remember that Musial hit a home run in the tenth inning to win the game. I have never tried to look up the box score in case my memory is wrong.) 

Baseball players were mortals and, as mortals, often failed. I heard a story that at a dinner honoring Stan Musial after he retired, Joe Garagiola said, “Stan was an all-time great. He batted .333 and got three thousand hits. (Pause.) Wait a minute. What are we doing honoring a man who made out six thousand times?” I learned that even the best made mistakes, and that all players made errors, struck out at inopportune times, gave up home run pitches.

Individuals failed, and so did teams. Of course, the fan of any sports franchise learns that the season generally ends without winning the championship, but still some disappointments are larger than others. That was true for Milwaukee Braves fans. In a four year stretch of my childhood, the Braves finished one game out of first, won a world series, blew a world series, and ended up tied for the pennant but lost in a playoff.  Had a few outcomes been different in this stretch, the Braves would be remembered as the dominant team of an era, one of the all-time great teams. Instead, those clubs, the teams of my youth, are mostly forgotten by anybody who was not a fan.

These are lessons any sports fan learns: Players often fail; teams seldom win championships. These lessons remain with me and seem to speak to more of life than just sports. But the Braves also gave me a false lesson, one that was central to that era of my boyhood. The Braves presented me an overly positive picture of race in the country.

Major league baseball had been integrated a few years before the Braves moved to Milwaukee. The team arrived just as the United States Supreme Court held that segregation of public schools violated the Constitution. I am not sure when I heard about Brown v. Board of Education, but to this third grader, integration was an abstract issue since my own town–fifty miles north of Milwaukee–was all white. Even so, I and seemingly everyone I knew, were adamant anti-segregationists.

It took a while to realize that the whole country did not feel as we did. I think I came to that realization during the Little Rock school crisis. The hate on the faces screaming at that brave little girl in her simple dress filled me with fear and disgust. But I naïvely thought that such hatred could not last for long, and I thought that because of the Milwaukee Braves. How could you not want Henry Aaron–in my ten-year-old (yet carefully considered) opinion probably the greatest ever to play the game–to be in your neighborhood, in your school, in your home? Okay, maybe there were some problems with integration, but baseball seemed to indicate that the hatred would soon disappear. After all, that’s what happened on the ball field. That Lew Burdette was white and Billy Bruton was Black was not an issue. What mattered was whether the Braves won. And, of course, I saw that the Braves all worked together for that goal. Surely these teammates were not concerned about race. If that could happen on the ball field, surely it would soon happen everywhere. Right?

(concluded January 30)

The Braves, Baseball, and Me

          A black and white photograph hangs to the left and above my desk. It defines an era of my childhood. Two men in old baseball uniforms–stirrups, baggy pants, no names on the jersey–are walking with their backs to the camera in a narrow, concrete passageway with harsh ceiling lights. “41” is on the left and “44” on the right. The caption to this picture, which I reproduced from a book, said it was Eddie Matthews and Henry Aaron’s last trip off the field as Milwaukee Braves from County Stadium. The team would soon move to Atlanta. The Milwaukee Braves would no longer exist.

          The Milwaukee Braves were my childhood team. Our radio, as were our neighbors’, was tuned to their games. I could walk down the street on a warm evening with everyone’s windows open and not miss a pitch. I knew not just the lineup but idiosyncrasies of the players.  (I did not know as much as some did. At one of our family’s yearly outings to a game, two young women sat in front of us. One said to the other, “Root for Frank Torre.”  Torre was the backup first baseman who sometimes came in as a defensive replacement, hardly the one with a large fan following. The woman went on, “He’s the only one who is single.”)

          I learned early that the mythic figures on the ball field were actually human. At my first major league game—Cardinals versus Braves—the youth group of which I was a part was in the right field bleachers where there was a low fence that we could stand next to. There he was—Stan Musial.  I had heard his name on the radio a gazillion times. I knew that he was a baseball god, and I guess I expected a god-like figure or at least someone as heroic-looking as the good guy in a cowboy movie. But as I stood a few yards away from him, my boyish eyes saw an old man in need of a shave. (It was low-scoring game, and I remember Musial hit a home run in the tenth inning to win the game. I have never tried to look for the box score in case my memory is wrong.) 

Baseball players were mortals and, as mortal, often failed. I heard a story that at a dinner honoring Stan Musial after he retired, Joe Garagiola said, “Stan was an all-time great. He batted .333 and got two thousand hits. (Pause.) Wait a minute. What are we doing honoring a man who made out four thousand times?” I learned that even the best made mistakes, and that all players made errors, struck out at inopportune times, gave up home run pitches.

          Individuals failed, and so did teams. Of course, the fan of any sports franchise learns that the season generally ends without winning the championship, but still some disappointments are larger than others. That was true for Milwaukee Braves fans. In a four year stretch of my childhood, the Braves finished one game out of first, won a world series, blew a world series, and ended up tied for the pennant but lost in a playoff.  Had a few outcomes been different in this stretch, the Braves would be remembered as the dominant team of an era, one of the all-time great teams. Instead, those clubs, the teams of my youth, are mostly forgotten by anybody who was not a fan.

These are lessons any sports fan learns. Players often fail; teams seldom win championships. These lessons remain with me and seem to speak to more of life than just sports. But the Braves also gave me a false lesson, one that was situated in that era of my boyhood. The Braves presented me an overly optimistic picture of race in the country.

Major league baseball had been integrated a few years before the Braves moved to Milwaukee. The team arrived just as the United States Supreme Court held that segregation of public schools violated the Constitution. I am not sure when I heard about Brown v. Board of Education, but to this third grader, integration was an abstract issue since my town–fifty miles north of Milwaukee–was all white. Even so, I and seemingly everyone I knew, were adamant anti-segregationists.

It took a while to realize that the whole country did not feel as we did. I think I came to that realization during the Little Rock school crisis. The hate on the faces screaming at that brave little girl in her simple dress filled me with fear and disgust. But I naïvely thought that such hatred could not last for long, and I thought that because of the Milwaukee Braves. How could you not want Henry Aaron–in my ten-year old (yet carefully considered) opinion probably the greatest ever to play the game–to be in your neighborhood, in your school, in your home? Maybe there were some problems with integration, but baseball seemed to indicate that the hatred would soon disappear. After all, that’s what happened on the ball field. That Lew Burdette was white and Billy Bruton was Black was not an issue. What mattered was whether the Braves won. And, of course, I saw that the Braves all worked together for that goal. Surely these teammates were not concerned about race. If that could happen on the ball field, surely it would soon happen everywhere. Right?

(continued September 2)

Let It Snowball (continued)

Once I had learned the skill of snowball making, I went on to the art of throwing one. This was aided by the family dog, Tippy (this terrier-mix had all dark fur except for the very end of her tail, which was white.  Get it? The tip of her tail was white = Tippy. The siblings and I thought it was quite clever.) This mutt loved the snow. If she saw snow when the back door opened, she bounded into the drifts that were twice her height. Only her head and back were visible as up and down Tippy went. She loved chasing sticks in the summer, and she loved chasing snowballs in the winter. She seemed to like each activity equally even though there was a great difference. I would frisbee a stick when there was no snow on the ground, and she would run after it and pick it up. She might run around with it for a bit, but soon she would come back to me, stick proudly in mouth. Sometimes she would drop it but more often stand just out of easy reach with a look that said, “Come on, dummy. See if you can grab that stick in my mouth.” I’d make a motion, and she would dart back. But either because I made an especially quick movement or, more likely, she let me, soon I would have a part of the stick not in her mouth. Now her look said, “Come on, dummy. See if you get it away from me.” The tugging war began, and the eight-year-old boy was seldom successful with brute force. Instead, I learned, and she did not (or she pretended not to), that if I lessened how forcefully I pulled, she lessened her pressure on the stick, and then a pull as rapidly as I could, got it away. And then she stood, partly looking at me and partly at the yard, indicating “Come on, dummy. Throw it again.”

Tippy invariably returned the thrown sticks; she never returned a snowball, but she chased them just as diligently. I would throw the snowball in the backyard. She would bound after it, find where the ball landed, and put her muzzle into the snow blanket. She would attempt to pick up the thrown object, but the ball no longer existed after it was chomped on. It metamorphosed back from snowball to mere snow.

Even though there was nothing to return, she returned and stood in front with the look, “Come on, dummy. Throw me another one.” And I would. I never outlasted her. She could be literally shaking from the cold, but she did not want to come in if there was a chance that I would toss another snowball.

For an eight-year-old boy, this was a time to practice throwing in preparation for my major league career that I knew awaited. First, of course, came throwing it as far as I could, but without clear demarcations in the yard it was hard to tell how much I was improving, although I never doubted that I was. Then, I would find a spot that I knew I could throw to and see how close I could come to landing the next snowball there. Then, even though it was not appropriate preparation for the National League, I would see how high I could throw it. That was for my own amusement. Tippy would lose sight of the high-thrown ball and look to see where it landed. If she did see it plop, she was off to chomp through it. Sometimes, she did not see where it landed, and she would turn to me with the look, “What the hell.” And, of course, there was the ever-fun fake throw where I did all of the throwing motion except for letting go of the ball. Tippy took a few steps in the direction of the anticipated flight, and then turned and said, “Oh, that’s very funny. Now throw it.” (This was minor preparation for my Milwaukee Braves career. I planned on playing shortstop where the fake throw would seldom be used, but I might on occasion fill in as pitcher, and I was practicing for that fake throw to third with the quick whirl to first base to see if the runner there fell for the charade. I have seen pitchers do this many, many times. Only once have I seen it work, and the runner looked more embarrassed than Tippy did after tussling with a skunk.)

(continued January 27)